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There’s something going on here about the horrible non-appearance of things that ought to be appearing that invokes the experience of the sublime as described by Kant in his Critique of Judgment.
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The surrogation of the monster alleviates anxiety by directing attention away from the imaginary center of society and toward the imaginary margins.
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In the end, you get Berenger alone, and the question of whether you can be human all by yourself, which is the final question of the play.
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In Ionesco’s play, people suddenly start turning into rhinoceroses; and the way that the other people react to it is an indication of why they are turning into rhinoceroses.
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